- Super HORSEMAN 65mm f7, 6 elements in 4 groups
- Super HORSEMAN 90mm f5.6, 6 elements in 4 groups
- Horseman 120 Roll Film Holder 8EXP, 6x9 for VH, VH-R, SW, film back
The "Rolleiflex" name is most commonly used to refer to Rollei's premier line of medium format twin lens reflex (TLR) cameras. (A companion line intended for amateur photographers, Rolleicord, existed for several decades.) However, a variety of TLRs and SLRs in medium format, and zone focus, and SLR 35 mm, as well as digital formats have also been produced under the Rolleiflex label. The 120 roll film Rolleiflex series is marketed primarily to professional photographers. Rolleiflex cameras have used film formats 117 (Original Rolleiflex), 120 (Standard, Automat, Letter Models, Rollei-Magic, and T model), and 127 (Baby Rolleiflex).
The Rolleiflex TLR film cameras were notable for their exceptional build quality, compact size, modest weight, superior optics, durability, simplicity, reliable mechanics and bright viewfinders. They were popular and widely imitated. The high-quality 7.5 cm focal length lenses, manufactured by Zeiss and Schneider, allowed for a smaller, lighter, more compact camera than their imitators. The highly regarded Zeiss Planar f2.8 and Schneider Xenotar lenses, both 80mm focal length and fast in comparison, are both state of the art optics. Unique to the Rolleiflex Automat and letter model cameras, the mechanical wind mechanism was robust and clever, making film loading semi-automatic and quick. This mechanism started the exposure counter automatically, auto-spaced the 12 or (on the later model F cameras) 24 exposures, and tensioned the shutter; all with less than one full turn of the film advance crank. This makes the Rolleiflex Automat/Letter model cameras very sought-after for shooting fast paced action, such as street photography.
120 Film Spools
120 is a popular film format for still photography introduced by Kodak for their Brownie No. 2 in 1901. It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film and its close relative, 220 film, survive to this day as the only medium format films that are readily available to both professionals and amateur enthusiasts.